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My favorite links (updated 2017)

Video related best website for 2017

Internet is always full of information, and Google your best friends I use to say… but it’s sometime hard to get the one fitting your needs and accurate as search engine promote their partners first. Google now try to profile you and the answer may not be the same depending on your past search which could be a nightmare to get what you are looking for.
I strongly suggest alternative search engine and using the incognito mode on your browser when you are looking for “fresh” result.

I have tried to put few of important websites you would like to check and helps you decide which way you should go.

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SmallRig VCT 14 Shoulder plate review


This is the second iteration from smallrig on the quest for the perfect VCT shoulder mount support.
I will not spend too much time on the first version as it’s not available anymore, but plenty of things where just simply not working. So, let’s see what this one has to offer.

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Tele-converter Sony 1.4x with SEL E 18-110 Cine Zoom Lens : Fail

Tele-converter Sony 1.4x with SEL E 18-110 lens

Sometimes, being the first to try something can be a bit frustrating, especially, when it’s simply not working at the end.

I have been trying to find a way to get more range with a single zoom lens and keep my bag light at the same time. A simple teleconverter was one possible option and I was looking for one compatible with the FS7 and my lens.
A 1.4x or 2x factor seems a good option and will help when I need a bit more of reach without carrying another lens. My Sony Cine 18-110 becoming a 35 mm equivalent of a 24-150; not bad if it’s working. But…

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ISO, RAW, UHD, 4K FullHD, EI, ASA, dB, LOG, RAW, ND, CPL, IS (part 1)

  Camera and video camera are getting cheaper every year and more and more people have access to it. The market expand and it’s getting sometime confusing to understand what a camera is actually capable of, either when you want to buy one, or when you want to use one you rented.
  I have tried here to sum up in a simple way each step of setting your camera recording mode and how it will impact your image.
This step by step is also the way you will have to follow the menus inside your camera system as it may need to reboot at some point when changes are requested.

  This is more for a video camera, but as a photographer, you still may learn few notion and help you jump to video.

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How to shoot S-LOG with Sony PXW-FS7?

How to shoot S-Log in with the Sony FS7? (and why you should)
  Shooting S-log is a bit like recording in 4K but watching it on your phone, compressed by Youtube.
You recording more information and see if you want to use it or not later. Shooting large resolution as 4K let you have more room for re-framing or stabilizing your footage. With S-Log, it a bit the same; You record more of the highlight and shadows and see is you may want to change the exposure later. It works a bit the same than shooting raw. The main difference is that raw takes a lot of space in your memory card, where S log tried to keep all acceptable. There are less latitude than in raw, but way less space also, and it can be done without any external recorder.

Why this name?
  S log stand for Sony Log, You have also C log for canon and so on. The principle is the same even if I will be talking here only about using it on a Sony FS7 camera. LOG stand for logarithmic as the shape of the mathematical calculation the camera need to do, have this S logarithmic shape .

How does it work?
  Screens on you TV or your computer actually did not follow the fast development your camera sensor; you can record more information than your TV can display. This may change with HDR TV, but for now, let keep it with regular TV/computer screen audience. Again, a bit like watching a Full HD video on a lower resolution screen, the picture look great, but you can’t tell the difference cause your screen is not able to display it.

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Video Production, Post Production, Photography and Event Resources in China. V2018.09 for Vision Rouge (China) ICP备05055552号
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